TURNS OUT THAT THE OVERWHELMINGLY INFINITE POSSIBILITY OF CHOICE WITHOUT THE AGENCY TO CHOOSE MEANINGFULLY DIFFERENT OUTCOMES WAS A BRUTE FORCE ATTACK ON REASON AND SELF INTEREST.
I definitely agree with your critique of "removing the chronological follower and discover feeds, and having them replaced by activity feeds". The Zora feed could look so many different ways and I don't really understand why it looks the way it does. I liked when parts of it were actively curated by hand a lot.
I never actually used sound so I don't know how this played out over there.
I'd love it if you curated a page of stuff you liked. I'm also bummed to hear that you're not making music but also get that sometimes you have to take a step back.
I don't think you're the bad guy at all, and honestly appreciate you pushing back on the stuff other people (myself included) are taking for granted. I obviously don't share your level of outrage, in part because these are people i worked with for a couple years and I have a ton of sympathy for the pressure they are under to make something great.
That being said I hope the feed becomes more dynamic, curated and less easily manipulated.
I really like the strategy of meeting the meta where it's at to generate revenue to make music the way you want. there's a lot to unpack here but I can think of a few musicians who did this (glassface comes to mind) usually with positive results. really glad that musicians in the space are finding this site to be a place where they can honestly unpack the music NFT trope and talk about the last few years.
Dutchy I love how you use 'magical' in multiple comments here. I don't know if you fuck with this dude [flusser](en.wikipedia.org/wiki/Vil%C3%A9m_Flusser) but jamie sof put me on to his work 'towards a philosophy of photography' and he uses magical in a simillar way. im only through a couple chapters but it already feels like the best thing ive read on media and the blockchain. thanks for commenting :)
for a while "still remember how to skate with the knees in" was the line that lodged itself like a splinter in my brain. a pigeon toed as a kid, I started skating and playing hockey to try and deal with it and needed to learn how to keep my feet parallel so i could skate backwards because they made me defense as i wasn't quite fast enough for offense and i've sorta felt like that in one way or another ever since. my daughter woke me up early today so i got breakfast down the street and waited for the typewriter store to open but the woman looked busy when i looked in the window so maybe i'll go back tomorrow and see if she'll sell me a typewriter. it really doesn't seem like she wants to sell anyone a typewriter despite running a typewriter store. there's whiskey around the edges of these verses - let it all sweat out of your pores. when i met matt for the first time i was 3 beers into it at the function. the night my wife's water broke i was on my third glass of whiskey and haven't had a drink since. i've put a lot of things off for a really long time.
im not even gonna touch the substance of what you're saying in the written piece here because i have so many thoughts about that moment and they're gonna come out in a really long thing I'll post later. but i wanted to share how the song makes me feel. also, this piece is so personal, and i don't think i was going to find that tone on my own but i wanted to get there. thanks for giving me a map.
"We've noticed this model is actually more profitable in the long-term as it creates opportunities for anyone to come in whenever they want - without having to worry about there being no copies left or being priced out due to it being out of someone's budget" - coopahtroopa
It's a strong point that is also counter intuitive (at least to me, when i was first introduced to it). I kinda intentionally didn't get into pricing here because I think it's secondary to content but ultimately it's a pretty personal thing. from the artist side, being asked to lower your price or feeling market pressure to conform to a low price point can have deeper meaning than just the metrics. Price point can be symbolic of worth even if the data bears out that a lower price point will have higher overall revenue. The meaning of that revenue, in the form of one person's belief, has a different meaning than 10 people valuing the work differently.
I'll use John Henry as an example here - you buying this for 65 $fwb profoundly changed my life in a way that is difficult to measure. And that impact is uniquely linked to the fact that your bid felt like an important signal of belief to keep going. It was a powerful enough signal that it prompted me to quit UMG and eventually start working at FWB. Would minting a bunch of editions to different people have had the same impact? i doubt i would have gotten enough $fwb to join the discord this way and that would have had a major impact on my trajectory.
All this is to say that there are forces that are only visible from the artist side that transcend the data. You're objectively correct with the point you're making - the dune dashboard is pretty undeniable - but there are also metrics we don't measure on Dune that really matter.
It means the world to me to start having this conversation in long form onchain instead of on twitter. let's keep it going.
just want to call out that the below hammer gif is being pulled from [canary yellow](canary---yellow.com/) which is an obvious inspiration for this project.
I definitely agree with your critique of "removing the chronological follower and discover feeds, and having them replaced by activity feeds". The Zora feed could look so many different ways and I don't really understand why it looks the way it does. I liked when parts of it were actively curated by hand a lot.
I never actually used sound so I don't know how this played out over there.
I'd love it if you curated a page of stuff you liked. I'm also bummed to hear that you're not making music but also get that sometimes you have to take a step back.
I don't think you're the bad guy at all, and honestly appreciate you pushing back on the stuff other people (myself included) are taking for granted. I obviously don't share your level of outrage, in part because these are people i worked with for a couple years and I have a ton of sympathy for the pressure they are under to make something great.
That being said I hope the feed becomes more dynamic, curated and less easily manipulated.
im not even gonna touch the substance of what you're saying in the written piece here because i have so many thoughts about that moment and they're gonna come out in a really long thing I'll post later. but i wanted to share how the song makes me feel. also, this piece is so personal, and i don't think i was going to find that tone on my own but i wanted to get there. thanks for giving me a map.
It's a strong point that is also counter intuitive (at least to me, when i was first introduced to it). I kinda intentionally didn't get into pricing here because I think it's secondary to content but ultimately it's a pretty personal thing. from the artist side, being asked to lower your price or feeling market pressure to conform to a low price point can have deeper meaning than just the metrics. Price point can be symbolic of worth even if the data bears out that a lower price point will have higher overall revenue. The meaning of that revenue, in the form of one person's belief, has a different meaning than 10 people valuing the work differently.
I'll use John Henry as an example here - you buying this for 65 $fwb profoundly changed my life in a way that is difficult to measure. And that impact is uniquely linked to the fact that your bid felt like an important signal of belief to keep going. It was a powerful enough signal that it prompted me to quit UMG and eventually start working at FWB. Would minting a bunch of editions to different people have had the same impact? i doubt i would have gotten enough $fwb to join the discord this way and that would have had a major impact on my trajectory.
All this is to say that there are forces that are only visible from the artist side that transcend the data. You're objectively correct with the point you're making - the dune dashboard is pretty undeniable - but there are also metrics we don't measure on Dune that really matter.
It means the world to me to start having this conversation in long form onchain instead of on twitter. let's keep it going.
[tangling in headlights by
urboiari](opensea.io/collection/deer-tangling-like-ivy)
[barely A lady ✧ raw jam by forrest
mortifee](
be)
[my best music
nft](opensea.io/assets/ethereum/0xabefbc9fd2f806065b4f3c237d4b59d9a9
7bcac7/1653)
[one good nft
since](foundation.app/mint/eth/0x3B3ee1931Dc30C1957379FAc9aba94D1
C48a5405/37994)
-Long form PDF getting into the vision coming soon.
-$Crash zine coming soon
-The comments section supports [markdown](www.markdownguide.org/basic-syntax/) so drop a weird .gif or link if the spirit moves you