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Before there was Sir Roger Deakins turning a dismal world into a vribrant wonderland in Blade Runner 2049, Jordan Cronenweth made the original neo noir classic a colour film that was just as dark as the films noir that cam before it. The only life here comes in the form of cold blue lighting, and it shines off of the advertisements, through the broken blinds, and off of the faces of the damaged citizens of a broken dystopia.
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