make up i did for this short film called “tinhosa”.

grandma gave me a tiny branch of this plant and i thought it wouldn’t survive, but it has grown and produced flowers.

old me (2021)

flowers from cerrado

do not mint it

collab between me and nagua, exhibited on decurators

whats in my bag? just essentials ~
wallet
scissor
lighter
tobacco
rolling papers
weed
keys
lip gloss
perfume
powerbank
rumi's book
cellphone
jbl ear buds

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ai animation experiments;

nature as a language
other lifeforms as even more human
than humans itself

O CONTRÁRIO DA NOITE NÃO É O DIA. <The opposite of the night is not the day>

Artistic occupation of the DeCurators (Brasília, Brasil) space by artists Lídice Silveira and Azul Rodrigues. Both artists develop poetics linked to the body, identity and organic materials. The artists will occupy the space throughout the month of August and will develop installations and activities open to the public.

*Collecting these multichain tokens will help finance occupation expenses, such as food, transportation, events and materials.

>>>>>mint if u agree<<<<<

polaroid from stoner collection.

lookbook from stoner collection.

live performance register from my bed;
experimental eletronic songs;
dj set from my ipad2 garage band;

You're the mind that stays open
You're the opening of a shell
You're the shell that has a pearl
You're the pearl that's big and swollen with iridescence
Because you stuck around

<crushing, eartheater>

archetypes, tales, scripts. everything's already happened in constant repeat.

Experimental music, EDM. EP format.

"Novos Estímulos" (new stimulus) was created entirely in GarageBand, independently. Therefore, Lídice maintains an empirical approach, always exploring new media without being tied to a single format. The EP combines samples of electronic drums and also traditional percussion, synthesizers, Arabic, Egyptian and Chinese instruments. This marks Lídice's first foray into electronic/experimental music, bringing new dimensions to their artistic practice.

Part of 𝐒.𝐄.𝐄.𝐃. 𝐙𝐎𝐑𝐀 𝐂𝐎𝐋𝐋𝐄𝐂𝐓𝐈𝐕𝐄 𝐃𝐑𝐎𝐏 𝐕2.𝟎

video art, 2024;

visuals created with RunwayML, autoral ambient song composed on GarageBand.

video tutorial "learn how to SUPPORT AN ARTIST", specifically made from an artist's point of view.

✷ Curated by rosesnkittens - support by ENERGY

I hope that the humor, irony, and nuances of this work are understood. This video is an assertion that I believe in gender as a social performance, not associated with genitals and assigned genders. It's also about the expectations related to femininity.

As a non-binary person, I play with femininity because I've finally managed to integrate masculinity as part of myself. But whenever I present myself as hyper feminine, I feel much more like drag than necessarily a woman.

I hope you enjoy this makeup tutorial inspired by the gyaru subculture, and resonate with queer ideas of gender as an experimentation space.

~

search for "Brown; color is weird" on yt

PoS nfts can actually be ecological

diy paradigms

one of the lessons I learned in years of therapy. ~

sometimes i compare myself to successful mainstream artists and forget that i'm actually more free than artists with millionaire restrictive contracts.

do u know me more now?

jpeg art

jpeg art

a cyborg of nature, it proudly stands,
with roots as cables, binding the lands.
its bark, a metal armor, strong and true,
a sentinel of life, both old and new

just as data streams in the digital sphere,
nutrients flow through the mycelial frontier.
a language unspoken, yet perfectly understood,
the tree and fungi converse in the woodland

branches reach high, like antennas in the sky,
seeking signals from the birds that fly.
leaves, solar panels, capturing the sun's light,
converting energy, a wondrous sight

cyborgs of steel may boast their gears,
but the tree's rings tell tales of countless years.
each one a memory etched in its core,
a testament to resilience, forevermore

cyborgs and trees, worlds apart in form,
yet in essence, they share a common norm.
both interconnected, bound by design,
revealing nature's secrets, truly divine

so let us marvel at the tree's high-tech grace,
a cyborg of nature, with its own embrace.
in its branches, a story of connections deep,
where technology and life's secrets meet

𝕨𝕙𝕒𝕥 𝕚𝕗 𝕨𝕖 𝕒𝕤𝕤𝕦𝕞𝕖 𝕥𝕙𝕒𝕥 𝕖𝕧𝕖𝕣𝕪𝕥𝕙𝕚𝕟𝕘 𝕚𝕤 a҉l҉i҉v҉e҉

→ 𝓉𝒽𝑒 𝒷𝑒𝓈𝓉 𝓉𝑒𝒸𝒽 𝓉𝑜 𝓈𝓉𝑜𝓅 𝑔𝓁𝑜𝒷𝒶𝓁 𝓌𝒶𝓇𝓂𝒾𝓃𝑔 𝒾𝓈 𝓇𝑒𝒻𝑜𝓇𝑒𝓈𝓉𝒾𝓃𝑔

₮ⱧɆ₴Ɇ ₴ⱧØɆ₴ ₳ⱤɆ ₦Ø₮ ⱤɆ₳Ⱡ 𝓪𝓷𝓭 𝓲𝓽 𝓬𝓪𝓷𝓷𝓸𝓽 𝓬𝓪𝓾𝓼𝓮 𝔂𝓸𝓾 𝓪𝓷𝔂 𝓱𝓪𝓻𝓶

/////organic matter, 2023

i just wanna be in control of how others perceive me
i mask so well, i make it seem easy

thru make up, fashion, art, performance, images

it can be a strategy to minimize stimuli and create a more comfortable environment
it can allow me to express my true identity
to ensure i am understood and heard more effectively

self-preservation
& coping mechanisms;

sometimes doing nothing leads to something

running away from myself II, re-act from another point of view

dots running seems like neurons activating and touching each other

when desperate, just RUN

Study of Body/Performance/Facial Expressions/Human Emotions.

In this study, I simulate and experiment with basic human emotions. Through registering, I can analyze how faithful my simulated expressions are in relation to the spontaneous ones. There are different lists of emotions considered universal, so in order to come up with a more concise one, I asked the GPT chat to list authors, relate them, and thus create a new list. As a neurodivergent (undiagnosed) artist, I recently became aware of the concept of "masking", which fit like a glove, giving meaning to my efforts when performing in social situations. When I studied movement and language in the performing arts department, specifically when studying facial expressions, I realized that our bodies inevitably feel emotions when simulating them. My insight was that there was no difference between performing and existing, since I was constantly masking, thinking it was natural, and that it worked like that for everyone. I try every day, in comfortable environments, to take off the mask. There are few people who don't demand a complete social performance from me, without the risk of misunderstoods, like thinking that I don't care or that I despise them when i'm not smiling constantly, or not looking on the eyes. Having a home was essential to get to know myself beyond the versions of myself created to please other people. And doing this work reminded me of this conscious effort -to perform-, it was funny to subject myself to doing this after this whole process, but maybe I'm even a professional at it.

Study of Body/Performance/Eyebrow Drawing.
The fact that we are the only species with distinct eyebrows, and how they are part of multiple social codes.
I maintained a neutral expression to preserve the impact of the effect of different lines on the eyes.
Simultaneously, a celebration and contextualization of why I shave my eyebrows.
I like my face as a blank canvas, beyond the everyday confusion, an enigma, like Mona Lisa.